LUCKENBOOTH BROOCH
HOLYROOD

A PERFECT LASTING LOVE TOKEN  

 

LUCKENBOOTH HOLYROOD BROOCH
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S
terling silver with cairngorm stone ~

celtic square
Celtic jewelry like the Celts themselves has a rich history and a proud tradition. Immensely beautiful with intricate Celtic symbols and delicate designs, Celtic cross jewelry, Luckenbooths and Celtic knot jewelry have been admired and desired for thousands of years

STUNNING, BEAUTIFUL SCOTTISH LUCKENBOOTH HOLYROOD BROOCH.
This is an amazingly beautiful piece! This hand cast piece combines many of the elements that make Celtic art interesting, outstanding and unique!

This design features the traditional Luckenbooth motifs, two  hearts intertwined  for love surmounted by a crown for loyalty to Mary Queen of Scots and set with an amethyst oval stone. The brooch is solidly made in sterling silver with a secure high quality pin back. A perfect way to display your Scottish heritage, your love and also protect those you love from evil spirits and witches!(See the history of the Luckenbooth below)
What a unique Scottish treasure!
Please see below or check out out eBay store for other Luckenbooth listings.  Please Click here to ask a question.

Our company has been in the Scottish  jewellery business for over thirty years. We are now making Scottish, Celtic and Clan jewellery for the children and grandchildren of our first customers.

This is a truly stunning piece that is sure to draw both admiration and comments. The original design for this piece one made by John Hart one of Alexander Ritchie's apprentices on Iona.

A timeless design for the millennium worn today as in centuries past. Medium sized so that it can be worn on a sweater, jacket or kilt.

This piece is in perfect condition. High quality pin and rollover safety clasp
SIZE: 43.5 high x 34 wide  (1-11/16 high x 1-5/16 wide)
WEIGHT: 11 grams, solid sterling silver.
Stone: Cairngorm (golden topaz)  9 mm x 7 mm.
celtic square
 
History of Scotland's Luckenbooth

During the sixteenth to eighteenth centuries there were two main styles of brooches in Scotland; one was the ring brooch, often with incised decoration, and used to fasten plaids by both men and women. This design was called a Pennanular.  The other brooch was a heart shaped one, often given at weddings and engagements as a token of love.
From the eighteenth century onwards, small plain heart shaped brooches were worn to protect against evil spirits, the evil eye or the attention of the sithean (fairy spirits). These are the famous “Luckenbooth Brooches”.
The name for the  Luckenbooth came from there being sold in locked booths. These were small shops, which were in fact very tiny and could be securely locked at night and were a feature of Edinburgh’s Royal Mile.  These brooches were heart shaped surmounted by a crown and usually made of silver.
The first Luckenbooth brooches date from the late seventh century. This traditional gift was given by a man to his sweetheart on their betrothal. It was considered a lucky charm, protecting the wearer against the evil eye. Among other powers the Luckenbooth was supposed to have, was in easing the pain at childbirth and ensuring a good flow of breast milk when it was pinned to a woman’s petticoats near her left thigh. If pinned to the baby’s shawl, it would protect the child from being stolen by fairies.
During the XVIII and XIX centuries the Luckenbooth became larger and more elaborate with inscriptions on the back such as biblical references or the initials of the couple and the date of their betrothal.
From 1850 onwards, the intertwined hearts were made to resemble the letter M. These came to be called Mary’s Brooches or even Holyrood’s Brooches for Mary Queen of Scots’ whose husband, Lord Darnley, had given her one.
Most Luckenbooth brooches today are in the form of two hearts topped by a crown and are made of silver, although some versions of this traditional Scottish brooch can be found in iron and brass. Victorian ones were generally set with garnets. Garnets were thought to have a lucky influence on affairs of the heart and symbolized a lover’s constancy as well as being an emblem of deep friendship. The Victorian versions of the Luckenbooth brooch were decorated with gems of different colours.

Many antique Luckenbooths are treasured family heirlooms.

Now is the ideal time to start your family tradition.!

 

 
 

THE HOLY ISLAND OF IONA

Lying off the west coast of the Isle of Mull the tiny Isle of Iona, barely three miles long by one mile wide, has had an influence out of all proportion to its size to the establishment of Christianity in Scotland, England and throughout mainland Europe.

Iona's place in history was secured when in 563 AD St. Columba arrived on its white sandy beaches with 12 followers, built his first Celtic church and established a monastic community.

Once settled, the Irish monk set about converting most of pagan Scotland and northern England to the Christian faith. Iona's fame as a missionary centre and outstanding place of learning eventually spread throughout Europe turning it into a place pilgrimage for several centuries to come. Iona became a sacred isle where kings of Scotland (48), Ireland (4) and Norway (8) were buried.

SCeltic Cross, Iona o who was St. Columba or Colum Cille in Gaelic…born of royal blood in 521 AD in Ireland or Scotia as it was then called, he was the grandson of the Irish King Niall. He left Ireland for Scotland not as missionary but as an act of self-imposed penance for a bloody mess he had caused at home. He had upset the king of Ireland by refusing to hand over a copy of the Gospels he had illegally copied, this led to a pitched battle in which Columba's warrior family prevailed. Full of remorse for his actions and the deaths he had ultimately caused he fled, finally setting on Iona as the first place he found from where he couldn't see his native Ireland. One of the features on the island is even called "The Hill with its back to Ireland".

St. Columba however, was not the shy retiring type and set about building Iona's original abbey from clay and wood. In this endeavour he displayed some strange idiosyncrasies, including banishing women and cows from the island, claiming that "where there is a cow there is a woman, and where there is a woman there is mischief". The abbey builders had to leave their wives, daughters, etc., on the nearby Eilean nam Ban (Woman's Island). Stranger still, he also banished frogs and snakes from Iona, how he accomplished this feat is not as well documented.

Strangest claim of all however is that Columba was prevented from completing the building of the original chapel until a living person had been buried in the foundations. His friend Oran volunteered for the job and was duly buried. It is said that Columba later requested for the Oran's face to be uncovered so he could bid a final farewell to his friend. Oran's face was uncovered and he was found to be still alive but uttering such blasphemous descriptions of Heaven and Hell that Columbus ordered that he be covered up immediately!

Over the centuries the monks of Iona produced countless elaborate carvings, manuscripts and Celtic crosses. Perhaps their greatest work was the exquisite Book of Kells, which dates from 800 AD, currently on display in Trinity College, Dublin. Shortly after this in 806 came the first of the Viking raids when many of the monks were slaughtered and their work destroyed.

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The Celtic Church lacking central control and organisation diminished in size and stature over the years to be replaced by the much larger and stronger Roman Church. Even Iona was not exempt from these changes and in 1203 a nunnery for the Order of the Black Nuns was established and the present-day Benedictine Abbey was built. The Abbey was a victim of the Reformation and lay in ruins until 1899 when its restoration started.

Just outside the chapel is the Reilig Odhrain the sacred burial ground of the Scottish kings, said to include Macbeth's victim Duncan. The most recent grave is that of John Smith, leader of the British Labour Party from 1992, until his untimely death in 1994.

No part of St. Columba's original buildings have survived, however on the left hand side of the Abbey entrance can be seen a small roofed chamber which is claimed to mark the site of the saint's tomb on the left hand side of the Abbey entrance can be seen a small roofed chamber which is claimed to mark the site of the saint's tomb

 
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